Cinema'n More

  Marty Supreme (2025) What a fucking cannon, my friends. What a fucking lethal cannon.  Marty Supreme is a monumental cinematic work and without a doubt the film that crowns Timothée Chalamet as one of the greatest actors in Hollywood. After the colossal piece of shit that Uncut Gems was (which, to me, remains one of the most confusing and overrated films in the history of cinema), I was terrified of the moment Josh and Benny Safdie would get their hands on a camera again. Later on, I found out about their professional split and that made me curious and, in a way, reassured. With this 2025 film directed solely by Josh, I have to take it back. The direction is insane, sharp, with extremely tight framing that wants to focus ONLY on the characters and nothing else, especially on the character of Marty Mauser. And what a character, Jesus Christ. What a fucking piece of shit. Not because the acting isn’t adequate (we’ll get to that in a moment), but because he is genuinely a colos...

28 Years Later: The Bone Tample (2026) Holy fucking shit, this is how you make a goddamn sequel. I had hated Danny Boyle’s “28 Years Later” under so many aspects. For the forced, overly mannered direction. For the cinematography shot with the iPhone 15 Pro, but also with insanely expensive anamorphic lenses that made the budget skyrocket. For a story written like ass and a staging (both CGI and directing choices) that was genuinely questionable.  Here…here we’re witnessing the return of Christ, or rather, the Devil himself. The story picks up shortly after the end of the previous film, but you can immediately feel a huge difference and a completely different “texture”.  They actually use a proper cinematic photographic setup, not some mid-20th-century Berlin experimental piece like Boyle did for absolutely no fucking reason. Here the image is pure Cinema, and so is the story. Alex Garland comes back to his senses and writes a brutal, insanely violent (sometimes even too much) ...